In between reviewing student assignments and meeting with them, I was catching up on newsletter reading. The Twisted Sifter always provides interesting posts about visual artistry and how it intertwines with technologies, whether old and new.
Today's newsletter is no different and provides a balance between moving images of 1911 New York City, presented by videographer Guy Jones, black and white film and Christopher Burkett's Ilfachrome CIBA large format film photography.
Each video explores how either the editor of the movie or the photographer combine old school technology with new. The real magic continues in the "post production" work, whether adjusting the speed of the video and adding ambient sounds, or taking up to eight hours to expose Burkett's diminishing supply of special film to its equally dwindling inventory of paper.
Today's newsletter is no different and provides a balance between moving images of 1911 New York City, presented by videographer Guy Jones, black and white film and Christopher Burkett's Ilfachrome CIBA large format film photography.
Each video explores how either the editor of the movie or the photographer combine old school technology with new. The real magic continues in the "post production" work, whether adjusting the speed of the video and adding ambient sounds, or taking up to eight hours to expose Burkett's diminishing supply of special film to its equally dwindling inventory of paper.
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